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The English Impatient
edited by Albert Sbragia
- Carlo Emilio Gadda
- Two chapters from Acquainted with Grief
That Mess in a pocket (seven key extracts)
A different Mess
The fire on Kepler Street
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- Marco Bernini
- Blueprints for Worldshaking: Mondi, coscienze e paratesto nell’Adalgisa
- Norma Bouchard
- Reading Gadda from Argentina: The Case of Enrique Butti’s Indí
- Italo Calvino
- Introduction to That Awful Mess
- Loredana Di Martino
- Modernism / Postmodernism. Rethinking the Canon through Gadda
- Robert S. Dombroski
- Apocalypse, how? – Gadda, Svevo, Pirandello
- Guido Guglielmi
- Gadda and the Form of the Novel
- Raffaele Lampugnani
- Lexicalisation of a Scatological Image in La cognizione: Hacer una pera revisited
- Emilio Manzotti
- Some Characteristic Procedures of Gadda’s Writing
- Manuela Marchesini
- Il segreto macchinismo dietro il quadrante dell’orologio. For a New Visual Rendition of Gadda’s Pasticciaccio
- Federica G. Pedriali
- Cain and other symmetries (the early alternatives)
The Universe stinks (Gadda perfects our plot) - Nicoletta Pireddu
- Scruffy Shreds of Platinum: Carlo Emilio Gadda and Other Messy Chemists
- Albert Sbragia
- The Modern Macaronic
«Toga Caput Obvolvit»: The Ideal of Rome in C.E. Gadda - Borislava Vassileva
- Confounding and Doubling the Self. Sharing the Role of the Protagonist in La cognizione del dolore
- William Weaver
- Introduction to Acquainted with Grief
The Process of Translation
Recollections of Gadda - Katrin Wehiling-Giorgi
- Defilement, War and the Corpse. On Abjection in Gadda and Céline
Published by The Edinburgh Journal of Gadda Studies (EJGS)
ISSN 1476-9859
© 2000-2025 by EJGS BabelGadda.
Artwork © 2000-2025 G. & F. Pedriali.
Framed image: after Tullio Pericoli, Secondary Literature, 1982 – with portrait of Gadda by Giosetta Fioroni superimposed
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Dynamically-generated word count for this file is 257 words, the equivalent of 1 page in print.