Identigadda
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| Name: | Carlo Emilio Gadda |
| Marital Status: | terminal batchelor |
| Nicknames: | Gaddus, Duca di Sant’Aquila, Gran Lombardo |
| Profession: | Ingegnere |
| Main hits: | Cognizione del dolore (killed off his mum) Quer Pasticciaccio (killed off his plot) |
| Main charges: | politically incorrectissimo; difficult to track down |
| Lessening circumstances: | writes some mean sentences; no slouch with emotions either; could describe any watch-paint-dry-job as if it was a cliff-hanger; wields a pen like no other guy |
| Prominent features: | tall, morose, inward-looking, deferential, tapiro-like |
| Behavioural patterns: | conceals under a veneer of shyness a huge potential for colossal rages and invectives. Also prone to a great many phobias |
| Accomplices: | the rogue Irishman (Jimmy Joyce); the shady French doctor (Ferdie Céline); his daring actions spawn lots of copy-cat imitators (loosely known as ‘nipotini’) |
| Favourite weapons: | unusual, archaic words, long-winded sentences, semicolons |
| Warning! | on no account should members of the public approach him without a dictionary |
Published by The Edinburgh Journal of Gadda Studies (EJGS)
ISSN 1476-9859
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artwork © 2000-2026 by G. & F. Pedriali
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Dynamically-generated word count for this file is 161 words, the equivalent of 1 page in print.


